Riverside Theatre Donor Wall Header

The Show Must Go On: Col­lab­o­rat­ing on Sig­nage for River­side The­atre in Iowa City, Iowa

Neu­mann Mon­son, River­side The­atre, and Lat­i­tude come togeth­er to cre­ate a seam­less­ly updat­ed look, with a nod to the Art Deco ori­gin, at this prop­er­ty on Iowa City’s pop­u­lar Pedes­tri­an Mall. 

It was just a few months until the cur­tains would open on the new River­side The­atre in Iowa City when the non-prof­it group reached out to our team. They need­ed help plan­ning and design­ing sig­nage to cre­ate an amaz­ing patron expe­ri­ence for their his­tor­i­cal the­atre renovation. 

We’d nev­er worked with a sig­nage com­pa­ny before, and part­nered with Lat­i­tude rather late in the process with only about six to ten months before we wel­comed our first audi­ence in. We knew we need­ed help, and we need­ed some­one to guide us. They were able to take our ideas and put them into a cohe­sive plan” says Adam Knight, Pro­duc­ing Artis­tic Direc­tor at River­side The­atre. Work­ing with Bryce and the Lat­i­tude team has been a great experience.”

Cre­at­ing An Experience

I don’t want the expe­ri­ence of the River­side The­atre to start when the lights go down in the the­atre,” Knight says. I want it to start from the moment you see the façade on the side­walk and you say, oh, there’s a the­atre there.’ And then you walk in and you see posters, and you see the sig­nage lead­ing you up to the stairs or to the ele­va­tor. It’s all part of the experience.”

Exte­ri­or Archi­tec­tur­al Signage

Riverside Theatre Exterior Portrait 400

The first thing the­atre-goers will notice when they arrive for a show is the new illu­mi­nat­ed flag-mount­ed exte­ri­or sig­nage installed under the awning. The exte­ri­or sign had to meet a lot of require­ments,” says Bryce Carl­son, Lat­i­tude Busi­ness Devel­op­ment Man­ag­er. We met with a his­tor­i­cal preser­va­tions review board to make sure it fit with the city’s stan­dards and didn’t dam­age the awning of this his­tor­i­cal build­ing dur­ing installation.”

There are also glass-mount­ed let­ters with up-light­ing and vinyl let­ters along the front entrance of the the­atre. Sig­nage out front was one of the first con­ver­sa­tions we had,” Knight says. This is a beau­ti­ful Art Deco build­ing. It had a long life before us. It was a Mont­gomery Ward store­front. It was a beloved local busi­ness. I always loved this kind of Art Deco look. It’s this shiny glass, it’s this curved glass façade, and we want­ed to pre­serve that. A lot of our patrons love that we’re hon­or­ing the his­to­ry of the build­ing with that awning.”

The team’s col­lab­o­ra­tive design and project man­age­ment process made sure the illu­mi­nat­ed alu­minum sign with acrylic push-through let­ters and front-fac­ing let­ters were well-received by the team at the the­atre and with the com­mu­ni­ty lead­ers. We’re hap­py to have some­thing that every­one can be proud of and know that it will stand the test of time,” Carl­son says.

Art Deco Inte­ri­or Archi­tec­tur­al Signage

Riverside Theatre Floors landscape 500 2022 06 09 170359 ojir

Inside the three-sto­ry the­atre, build­ing is a lob­by on the first floor, offices on the sec­ond floor, and a black box the­atre with a bar area on the third floor. With guests hav­ing to move through­out the build­ing, wayfind­ing sig­nage was important.

Sig­nage is a way for the River­side The­atre to com­mu­ni­cate with their patrons,” says Park­er Dob­ber­stein, Archi­tect from Neu­mann Mon­son Archi­tects. It lets them know where the bath­rooms are and what floor they are on. For this project, sig­nage was crit­i­cal pri­mar­i­ly for wayfind­ing, but also to con­vey our orig­i­nal design con­cept to the very end to the fin­ish­ing touch­es on the space.”

On this project, all the inte­ri­or archi­tec­tur­al sig­nage is on ½‑inch thick acrylic, which is a lit­tle thick­er than typ­i­cal for inte­ri­or room iden­ti­fiers and ADA sig­nage. Inten­tion­al­ly mak­ing the signs a lit­tle thick­er gives them more visu­al weight and helps them stand out against a bustling crowd look­ing for the stairs or the ele­va­tor. The design of the inte­ri­or sig­nage also speaks to the hip yet his­tor­i­cal feel of the the­atre. The fonts and pic­tograms are slim and reflect the over­all style of the the­atre,” says Carl­son. Details, like the design of the bath­room signs, mat­ter and were han­dled with as much care as the show­case signage.” 

Non-Prof­it The­atre Donor Wall Signage

On the third floor is where patrons will see their names fea­tured on a one-of-a-kind donor recog­ni­tion wall. As a non-prof­it the­atre, we rely heav­i­ly on dona­tions,” says Knight. One of the things we want­ed to do with the donor wall is to rec­og­nize those key stake­hold­ers who donat­ed $5,000 or more to the cap­i­tal cam­paign. It’s the first thing you see when you exit that ele­va­tor. It’s attached to this awe­some one-hun­dred-plus-year-old brick wall, and it not only hon­ors those donors in a mean­ing­ful way, it also hon­ors the staff, who are part of this project, and the board. They made this dream become a reality.”

Design­ing the donor recog­ni­tion wall was a chal­lenge. It took an inno­v­a­tive prod­uct solu­tion to accom­mo­date the num­ber of donors and to dis­play it well on the his­tor­i­cal walls. The orig­i­nal plan was too small to accom­mo­date the many gen­er­ous donors. But that’s a good prob­lem to have,” Carl­son says. We moved it to a big­ger wall near the ele­va­tors so every­one can see it when they arrive on the third floor. The cir­cle design was inspired by the globe lights used through­out the build­ing. But we didn’t want to drill into a 100-year-old wall any more than we had to. So we came with this foun­da­tion piece, a brass chan­nel that’s attached secure­ly to the wall, and then all the donor cir­cles are attached to the brass chan­nel. This gives the design flex­i­bil­i­ty and room to grow with­out hav­ing to make changes to the wall itself.”

Enhanc­ing Expe­ri­ences: Cus­tom Spe­cial­ty Signage

Riverside Theatre Here Drama 500

Before guests see the spot­light hit the stage, they will walk by a cus­tom show­piece sign in the lob­by bar. Orig­i­nal­ly they want­ed a neon sign that read, Here for the dra­ma.” In keep­ing with the 1930s-inspired fonts used through­out the build­ing, These fab­ri­cat­ed let­ters are rout­ed with a push-through acrylic that is illu­mi­nat­ed with LED lights. It has the look and feel of a neon sign with crisp angles that suit the design of the theatre.

Anoth­er spe­cial sign was the ele­va­tor sign. Cre­at­ed with flut­ed glass, this new sign instant­ly adds a vin­tage vibe to the the­atre. It’s mod­ern and retro all at the same time,” Carl­son says.

It feels very urban, and with the exposed brick and brass fix­tures of the build­ing, it feels like you could be in a his­tor­i­cal New York theatre.”

Coop­er­a­tive work­ing rela­tion­ships where we talk through design ideas, trou­ble-shoot instal­la­tion con­cerns, and man­age all the details of a design-build project is key. Best thing about this project was that the team col­lab­o­rat­ed, and we were all on the same page with the vision,” Carl­son says. We took the look they were hop­ing for and ran with it. Hav­ing a focused design approach helped us exe­cute the pro­gram in a short time window.”

As an archi­tect, there are so many things we’re deal­ing with,” Park­er Dob­ber­stein says. Hav­ing some­one like Lat­i­tude, who can take the sig­nage and run with it is ide­al. We can just hand that whole por­tion over to them and trust that they will get it done, it’ll look very nice, and be with­in bud­get. We had dead­lines to meet on this project and Lat­i­tude real­ly helped keep us run­ning, keep­ing the client engaged in their designs, review­ing with them, and review­ing with us. We real­ly trust­ed them to han­dle that whole pack­age and it real­ly turned out great.”

Want to learn and see more the­atre sig­nage? The 3 B’s to The­atre Signage

Have ques­tions on this project? Con­tact Bryce Carl­son

Not sure where to turn? Find your expert here