Film Scene Signage Nighttime Chauncey High Rise

Cre­at­ing Sig­nage for The Chauncey— A New High Rise Mixed Use Devel­op­ment in Down­town Iowa City

This new high rise in down­town Iowa City changes the land­scape by 15 sto­ries. Here’s the sto­ry of sig­nage for this mon­u­men­tal new mixed use devel­op­ment that includes Film­Scene cin­e­ma, SpareMe bowl­ing alley, retail, cor­po­rate and office space, con­do­mini­ums, and a hotel.

This new high rise in down­town Iowa City changes the land­scape by 15 sto­ries. Here’s the sto­ry of sig­nage for this mon­u­men­tal new mixed use devel­op­ment that includes Film­Scene movie the­ater, SpareMe bowl­ing alley, retail, cor­po­rate and office space, con­do­mini­ums, and a hotel.

*Images below are orig­i­nal con­cepts from Moen Group and Rohrbach Asso­ciates

What is The Chauncey?

The Chauncey is a $57 mil­lion high-rise in down­town Iowa City (great exte­ri­or sign images, cour­tesy of the Gazette, at this link) locat­ed at Col­lege and Gilbert streets. This mixed-use devel­op­ment is home to Film­Scene cin­e­ma, a cof­fee shop, a bowl­ing alley, a hotel, as well as con­do­mini­ums and com­mer­cial retail space. 

The sig­nage work is wrap­ping up on this four-year project that will bring work, life and play into one cen­tral area. This project was not the first mixed-use the Moen Group and our team has worked togeth­er on and with the trend mov­ing in the direc­tion of these types of devel­op­ments, they don’t expect it to be their last. 

Mixed-use devel­op­ments are dif­fer­ent because you’re mix­ing mar­kets (residential/​hotel/​retail/​commercial), which means, our sign expert, Bryce Carl­son says, you have to ful­fill a lot of dif­fer­ent needs for an array of clients.”

Embrace Sign Chal­lenges, Then Get To Solv­ing Them

With all the dif­fer­ent needs with­in one prop­er­ty, there were bound to be a few challenges.

Carl­son had tech­ni­cal­ly been work­ing on The Chauncey for four years, with work ramp­ing up in the last cou­ple. So with­in that time, a lot issues cropped up!” This was a true col­lab­o­ra­tion with the archi­tect, Rohrbach Asso­ciates, and the devel­op­er, Moen Group, with the inde­pen­dence to plan, design, man­u­fac­ture, and install the signage. 

Install Chauncey 500

First, there was the chal­lenge of find­ing the right over­all sign design. Next was the make­up of the build­ing – after all, it’s not every day you have to put signs 15 sto­ries up — that was a huge install,” Carl­son said. Luck­i­ly, there were great part­ners, installers, and equip­ment in place to get the job done. With ear­ly col­lab­o­ra­tion and a pre­cise plan, the let­ters were installed in one busi­ness day.

Film Scene Signage Exterior Flag Mount Chauncey Iowa City

Addi­tion­al­ly, in terms of zon­ing require­ments, high-ris­es have dif­fer­ent rules and reg­u­la­to­ry code sig­nage. The team at Lat­i­tude is well-versed in sig­nage code and take a proac­tive approach to it. They first deter­mine what the sig­nage reg­u­la­tions are before embark­ing on design. With this project, they also had to con­tend with recent updates to exte­ri­or sign code made by the city of Iowa City. So that dic­tat­ed a lot of their deci­sions. For exam­ple, chan­nel let­ters couldn’t have retain­ers unless they were at a high level.

It’s impor­tant to work with sig­nage experts who know the code and how to work with it. Steve Rohrbach, Pres­i­dent of Rohrbach Asso­ciates, com­ment­ed that get­ting the project through approvals with the City and Com­mu­ni­ty” was the biggest chal­lenge of this project. 

With a high-pro­file project like this, you want to deliv­er a unique expe­ri­ence to the city. There­fore, all the signs had dis­tinct qual­i­ties about them and in turn, their own set of chal­lenges” Carl­son says. For exam­ple, Lat­i­tude was tasked with mount­ing a sign on ter­ra cot­ta, as well as inte­grat­ing signs with a glass wall, and putting sig­nage on a curved wood pod.”

The signs on the high-rise turned out great but it was sus­pense­ful because there was no guar­an­tee they’d turn out exact­ly as envi­sioned,” Carl­son com­ment­ed. He was also ner­vous at one point about the Film­Scene flag mount because it was tough to get permitted.

With a high-profile project like this, you want to deliver a unique experience to the city. Therefore, all the signs had distinct qualities about them and in turn, their own set of challenges

Bryce Carlson, Eastern Iowa Sign Expert

The Process of Get­ting to the Sig­nage Solution

Even fac­ing some chal­lenges, there was con­fi­dence in the abil­i­ty to deliv­er. In part because the build­ing own­er is some­one they’ve part­nered with pre­vi­ous­ly and knew they could work well togeth­er. Every­one involved was focused on the end-user and that made for one of the most smooth­ly run projects I’ve seen in my 20 years,” Carl­son said. 

Rohrbach com­ment­ed Bryce and the team’s respon­sive­ness is a great asset. When options are required we were pro­vid­ed options as soon as possible.”

Con­sis­ten­cy

One of the major fac­tors at play in a mixed-use design such as this is keep­ing a con­sis­tent appear­ance through­out. The design they went with­in the upscale, urban envi­ron­ment was a mix of steel and con­crete for a mod­ern, indus­tri­al look. And for the inte­ri­or sig­nage was sub­tle, and to keep it cohe­sive through­out, fea­tured the same font and col­or scheme. 

Turnkey

Our sig­nage team was tasked with design­ing sig­nage for the bowl­ing alley, the high-rise, and the the­aters. How­ev­er, this project wasn’t a typ­i­cal sit­u­a­tion. As a Design-Build phi­los­o­phy was tak­en to pro­vide one source sig­nage for an effi­cient turn-key solution.

From begin­ning to end from fab­ri­ca­tion to instal­la­tion of each com­po­nent with the process being: Design, Approve, Price, Man­u­fac­ture, Install. 

Func­tion­al Wayfind­ing System

With this project, they also need­ed the func­tion­al­i­ty of a wayfind­ing sys­tem to and through the hotel and retail areas. They also need­ed to cre­ate sig­nage that would help peo­ple locate spe­cif­ic the­atres. And they need­ed to keep the pub­lic away from the res­i­den­tial areas. 

Since ten­ants could eas­i­ly change in a mixed-use prop­er­ty, they need­ed to be able to take signs down as quick­ly and eas­i­ly as pos­si­ble. In the inte­ri­or, this meant using paper inserts where necessary. 

Plan­ning Ahead

As with any sig­nage project, one of the most impor­tant aspects is pre-plan­ning. With so many stake­hold­ers and com­po­nents to the over­all project, The Chauncey project was well con­trived and chore­o­graphed for all part­ners involved. And that wouldn’t have hap­pened with­out plan­ning, trust, and the excep­tion­al work­ing rela­tion­ships among all par­ties involved. 

To set the stage, our teams had a seat at the plan­ning table which kept every­one aligned and focused on the same outcome. 

From coor­di­na­tion meet­ings to nego­ti­a­tions, our sig­nage team was able to ask intel­li­gent ques­tions like how would they run the elec­tric and just how were they going to exe­cute spe­cif­ic requests. The abil­i­ty to talk through these con­sid­er­a­tions with con­trac­tors, archi­tects, design­ers, and the build­ing own­er cre­ates effi­cien­cies and sets every­one up for success.

Bryce and the team's responsiveness was a great asset to this project. When changes were required we were provided options as soon as possible.

Steven A Rohrbach, President of Rohrbach Associates

Ded­i­cat­ed Donors Get Recognized

One aspect of the project, which wasn’t tech­ni­cal­ly a part of The Chauncey but a direct con­tract with Film­Scene, the non-prof­it cin­e­ma, was to cre­ate their Donor Wall signage.

Andrew Sher­burne com­ment­ed, in recog­ni­tion of the many con­tri­bu­tions to our ambi­tious cap­i­tal cam­paign, we need­ed a donor recog­ni­tion piece that was as strik­ing as our new cin­e­ma — which also left room for adding names in the future. Lat­i­tude’s solu­tion fit per­fect­ly, bal­anc­ing mod­u­lar­i­ty with sim­ple ele­gance to cre­ate a work of art that any­one would be proud to have their name on.”

The plaques were built using acrylic and mat­te acrylic to add dimen­sion, with dif­fer­ent col­ors, sizes and thick­ness rep­re­sent­ing the vary­ing dona­tion lev­els. A key com­po­nent in the devel­op­ment of the Donor Wall sig­nage was mak­ing sure that it was updateable.

...we needed a donor recognition piece that was as striking as our new cinema—which also left room for adding names in the future. Latitude's solution fit perfectly, balancing modularity with simple elegance to create a work of art that anyone would be proud to have their name on.

Andrew Sherburne, Founder FIlmScene

A Proud Moment

At the rib­bon-cut­ting, the build­ing own­er said he’d nev­er seen a reac­tion quite like the one for The Chauncey. When the illu­mi­nat­ed signs were turned on, peo­ple Whoa’d” in awe.

When the team looks back at the results of this mul­ti-year project, Carl­son says, It’s hard to pick one favorite aspect.” 

The way the project came togeth­er was a tes­ta­ment to the teams involved. Because they were work­ing with a group of experts who are knowl­edge­able in their respec­tive fields, and reli­able, they were able to make it happen. 

This is hon­est­ly the most unique and coolest project I’ve done. But pick­ing a favorite sign? That’s like try­ing to pick a favorite kid!” said Carlson.

Want To Know More?

Need some guid­ance? Find your local sign expert here.

Have ques­tions about this project specif­i­cal­ly? Email Bryce Carl­son at bryce.​carlson@​latitudesignage.​com

Won­der­ing where the Chauncey got its name? Read more here.